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Illustrations | ||
Preface | ||
Introduction: The Politics of Style | 1 | |
Pt. 1 | 1959-1964 | |
1 | Myths of Textual Autonomy: From Psychoanalysis to Historiography in Hiroshima mon amour | 19 |
2 | Problems of Plotting: La Route des Flandres | 55 |
3 | Figuring Out: L'Annee derniere a Marienbad | 83 |
Pt. 2 | After 1968 | |
4 | Signs of the Times: Fictions of May 1968 | 115 |
Pt. 3 | Primal Scenes: The Occupation Viewed from the Eighties | |
5 | Truffaut's Otohistoriography | 143 |
6 | Durasian (Pre)Occupations | 169 |
7 | Looks That Kill: Louis Malle's Portraits of Collaboration | 186 |
Conclusion: The New Novel, the New Wave, and National Identity | 207 | |
Notes | 219 | |
Index | 251 |
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Add New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France, Until now, writings on the celebrated movements in literature and film that emerged in France in the mid-1950s—the New Novel and New Wave—have concentrated on their formal innovations, not on their engagement with history or politics. New Novel, New Wa, New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France to the inventory that you are selling on WonderClubX
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Add New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France, Until now, writings on the celebrated movements in literature and film that emerged in France in the mid-1950s—the New Novel and New Wave—have concentrated on their formal innovations, not on their engagement with history or politics. New Novel, New Wa, New Novel, New Wave, New Politics: Fiction and the Representation of History in Postwar France to your collection on WonderClub |