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| Acknowledgments | ||
| Introduction | ||
| Michael Asher and the Conclusion of Modernist Sculpture (1980) | 1 | |
| Beuys: The Twilight of the Idol, Preliminary Notes for a Critique (1980) | 41 | |
| Marcel Broodthaers: Open Letters, Industrial Poems (1987) | 65 | |
| The Museum and the Monument: Daniel Buren's Les couleurs/Les formes (1981) | 119 | |
| Memory Lessons and History Tableaux: James Coleman's Archaeology of Spectacle (1995) | 141 | |
| Moments of History in the Work of Dan Graham (1978) | 179 | |
| Hans Haacke: Memory and Instrumental Reason (1988) | 203 | |
| Hantai/Villegle and the Dialectics of Painting's Dispersal (1999) | 243 | |
| Plenty or Nothing: From Yves Klein's Le vide to Arman's Le plein (1998) | 257 | |
| Knight's Moves: Situating the Art/Object (1986) | 285 | |
| Structure, Sign, and Reference in the Work of David Lamelas (1997) | 305 | |
| Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke (1982) | 343 | |
| Readymade, Photography, and Painting in the Painting of Gerhard Richter (1977) | 365 | |
| Process Sculpture and Film in Richard Serra's Work (1978) | 405 | |
| Spero's Other Traditions (1996) | 429 | |
| Villegle: From Fragment to Detail (1991) | 443 | |
| Andy Warhol's One-Dimensional Art, 1956-1966 (1989) | 461 | |
| Robert Watts: Animate Objects, Inanimate Subjects (2000) | 531 | |
| The Posters of Lawrence Weiner (1986) | 555 | |
| Index | 577 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Kevin Thibodeau
reviewed Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 on June 02, 2015 Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975
I love this little book full of art and the story of the artists who created them. Impressionism made an impression on the Americans and it moved them into a whole new way of looking at things. This little guide will be on my shelf to read over and over, especially to look at the work of these great artists.
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Add Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975, Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the p, Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 to the inventory that you are selling on WonderClubX
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Add Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975, Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the p, Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 to your collection on WonderClub |
