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Acknowledgments | ||
Introduction: Studying Gender in Mediterranean Musical Cultures | 1 | |
1 | A Man's Game? Engendered Song and the Changing Dynamics of Musical Activity in Corsica | 33 |
2 | Body and Voice: The Construction of Gender in Flamenco | 67 |
3 | Those "Other Women": Dance and Feminity among Prespa Albanians | 87 |
4 | The Gender of the Profession: Music, Dance, and Reputation among Balkan Muslim Rom Women | 119 |
5 | Come into Play: Dance, Music, and Gender in Three Calabrian Festivals | 147 |
6 | The Female Dervish and Other Shady Lilies of the Rebetika | 169 |
7 | Archivists of Memory: Written Folksong Collection of Twentieth-Century Sephardi Women | 195 |
8 | Representations and Female Roles in the Rai Song | 215 |
9 | Poetry as a Strategy of Power: The Case of Riffian Berber Women | 233 |
10 | Nashat: The Gender of Musical Celebration in Morocco | 251 |
11 | On Religion, Gender, and Performing: Female Performers and Repentance in Egypt | 267 |
12 | Male, Female, and Beyond in the Culture and Music of Roma in Kosovo | 287 |
13 | The Tearful Public Sphere: Turkey's "Sun of Art," Zeki Muren | 307 |
14 | "And She Sang a New Song": Gender and Music on the Sacred Landscapes of the Mediterranean | 329 |
List of Contributors | 351 | |
Index | 355 |
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