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Part One
1 Prologue 11
2 Renga History 12
3 On the Tsukubashu 16
4 Post-Shinkokinshu Waka 19
5 Ancient and Middle-Period Renga 21
6 The Character of the Work of the Early Masters 23
7 The Style of Ineffable Depth (Yugen) 27
8 Learning and the Study of Renga 36
9 The Role of Waka in Renga Training 40
10 On Hokku 42
11 Double Meaning in Poetry 45
12 The Manifold Configurations of Poetry 48
13 The Roots of Poetry in Temporality 51
14 Poetic Process as a Contemplation 53
15 The Wisdom of Nondiscrimination 56
16 Right Teaching and the Individual Poet 58
17 The Influence of Companions in the Way 60
18 Poetry and the Mundane Mind 62
19 The Issue of Fame as Index of Poetic Value 64
20 Poetry Is an Existential Discipline 66
21 Poetry Is a Self-Consuming Passion 68
22 Worldly Glory Versus Reclusive Concentration 71
23 Criticism Is a Function of One's Own Limitations 73
24 Sitting with a Master 75
25 Constant Practice Is Decisive 77
26 Valorizing the Deviant or Obscure 79
27 The Difficulty of Comprehending Superior Poetry 81
28 The "Vulgar" Verse 83
29 Plagiarism 86
30 Excessive Straining After Effect 89
31 Semantic Confusion 91
32 Incomprehensibility 93
33 The Close Link and the Distant Link 96
34 On Hen-jo-dai-kyoku-ryu; as the Structure of the Renga Link 102
35 On Rikugi: The Six Types of Poetry 109
36 Poetry Contests and Criticism 114
37 Marks and Grade Points in Renga 116
38 One's True Poetry Emerges in Old Age 118
39 The State of Renga in Our Time 120
Part Two
40 About Hen-jo-dai-kyoku-ryu 137
41 The Central Place of Grace (en) in the Poetic Process 140
42 Verses on the Moon, Flowers, and Snow 143
43The Verse of Ineffable Remoteness (Yoon) 145
44 Renga Rules and Buddhist Precepts: The Question of Morality and Freedom 148
45 Poetry and Zen Meditation, the Cosmic Body, and the True Word 153
46 The Link Between Maeku and Tsukeku 156
47 The Nature and Goal of Criticism 159
48 Selecting Friends of the Way 162
49 The Close Link and the Distant Link 164
50 On the Issue of the Ultimate Style 167
51 Discipline in the Mind-Ground 171
52 Orthodoxy and Plurality 173
53 Reclusion 175
54 The Impartiality of Divine Response 178
55 Heredity, Social Status, and the Way 180
56 The Mark of Temporality in Talent, Training, and Fame or Obscurity 182
57 The Difficulty of Achieving the Way: The Transmission of Mind Is Beyond Language 185
58 Mutually Supportive and Antagonistic Arts 188
59 The Practice of Poetry in Our Time 190
60 The Question of the True Buddha and the Ultimate Poem 197
61 The Ten Virtues 200
62 Epilogue 204
Notes 209
Appendix Biographical Notes 337
Bibliography 361
Character List 371
Index of First Lines 399
Subject Index 402
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Add Murmured Conversations: A Treatise on Poetry and Buddhism by the Poet-Monk Shinkei, Murmured Conversations is the first complete and rigorously annotated translation of Sasamegoto (1463–1464), considered the most important and representative poetic treatise of the medieval period in Japan because of its thoroughgoing constr, Murmured Conversations: A Treatise on Poetry and Buddhism by the Poet-Monk Shinkei to the inventory that you are selling on WonderClubX
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Add Murmured Conversations: A Treatise on Poetry and Buddhism by the Poet-Monk Shinkei, Murmured Conversations is the first complete and rigorously annotated translation of Sasamegoto (1463–1464), considered the most important and representative poetic treatise of the medieval period in Japan because of its thoroughgoing constr, Murmured Conversations: A Treatise on Poetry and Buddhism by the Poet-Monk Shinkei to your collection on WonderClub |