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Introduction : More than the method, more than one method | 1 | |
1 | Why study film acting? : some opening reflections | 23 |
2 | Screen performance and directors' visions | 42 |
3 | Performance in the films of Robert Bresson : the aesthetics of denial | 71 |
4 | "The sounds of silence" : modernist acting in Michelangelo Antonioni's Blow-up | 94 |
5 | Resisting reality : acting by design in Robert Altman's Nashville | 126 |
6 | Playing with performance : directorial and performance style in John Cassavetes's Opening night | 153 |
7 | Plain and simple : masculinity through John Sayles's lens | 173 |
8 | Passionate engagement : performance in the films of Neil Jordan | 192 |
9 | Acting prima donna politics in Tomas Gutierrez Alea's Strawberry and chocolate | 219 |
10 | Kidman, Cruise, and Kubrick : a Brechtian pastiche | 247 |
11 | Thinking through Jim Carrey | 275 |
12 | Suiting up for postmodern performance in John Woo's The killer | 297 |
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Add More Than A Method: Trends and Traditions in Contemporary Film Performance, Though it is often neglected in cinema scholarship, screen performance is a crucial element in the ideological and emotional impact of films. More Than a Method: Trends and Traditions in Contemporary Film Performance features twelve essays that analyze pe, More Than A Method: Trends and Traditions in Contemporary Film Performance to the inventory that you are selling on WonderClubX
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Add More Than A Method: Trends and Traditions in Contemporary Film Performance, Though it is often neglected in cinema scholarship, screen performance is a crucial element in the ideological and emotional impact of films. More Than a Method: Trends and Traditions in Contemporary Film Performance features twelve essays that analyze pe, More Than A Method: Trends and Traditions in Contemporary Film Performance to your collection on WonderClub |