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| Preface | ||
| Acknowledgments | ||
| 1 | Pop Goes the Content: Teaching the Ugly and the Ordinary | |
| 2 | Meaning Is Cool: Political Engagement and the Student Writer | |
| 3 | Expatriating Students from Their Television Homelands: The Defamiliarization of Pop Culture | |
| 4 | Using Advertising in First-Year Composition: A Rationale and Practice | |
| 5 | Woman[ly] Teaching: Gender, Pathos, and Politics in the Writing Classroom | |
| 6 | Multicultural Semiotics: Race, Class, Gender, and Sexuality in American Popular Culture | |
| 7 | Making Spaces for Pleasure: Literacy and Popular Culture | |
| 8 | Developing Vernacular Literacies and Multidisciplinary Pedagogies | |
| 9 | Multimedia and Multivocality: (Com)Posing Challenges to Academic Print Literacy | |
| 10 | Music Videos in the Composition Classroom: Location, Genre, and Intertextuality | |
| 11 | Tracy Chapman in the Writing Classroom: Challenging Culturally Sanctioned Assumptions | |
| 12 | Madonna, Calamity Jane and the First-Year Composition Student | |
| 13 | Examining the Discourse of the University: White Noise in the Composition Classroom | |
| 14 | Everyday Exigencies: Constructing Student Identity | |
| Contributors |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Sam Foster
reviewed Miss Grundy Doesn't Teach Here Anymore: Popular Culture and the Composition Classroom on November 24, 2012
Miss Grundy Doesn't Teach Here Anymore: Popular Culture and the Composition Classroom
Fun writing ideas for kids, to hep get the creative juices going. I got this book hoping to find some interesting writing prompts, but it seemed too kiddish to me at the time.
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