|
|
Sold Out
Book Categories |
| Asturias (Prelude) | 201 | |
| Cadiz (Suite Espagnole) | 209 | |
| Sonata | 167 | |
| Canzone | 16 | |
| El Testament d'Amelia | 215 | |
| Gagliarda | 20 | |
| Saltarello | 22 | |
| Suite No. 1, BWV 1007 (Originally for Cello) | ||
| Prelude | 46 | |
| Allemande | 50 | |
| Courante | 54 | |
| Sarabande | 57 | |
| Menuet I | 58 | |
| Menuet II | 59 | |
| Gigue | 60 | |
| Suite No. 1, BWV 996 (Originally for Lute) | ||
| Prelude | 62 | |
| Allemande | 66 | |
| Courante | 68 | |
| Sarabande | 71 | |
| Bourree | 73 | |
| Gigue | 75 | |
| Jesu, Joy of Man's Desiring | 79 | |
| Prelude No. 1 | 84 | |
| Sleepers, Awake | 88 | |
| Sonata No. 14 In C# Minor ("Moonlight Sonata") | 161 | |
| Volte | 25 | |
| Study, Op. 60, No. 3 | 108 | |
| Study, Op. 60, No. 7 | 105 | |
| Study, Op. 60, No. 25 | 110 | |
| Galliard | 26 | |
| Lady Hundson's Puffe | 28 | |
| Theme and Variations on Folies d'Espagne, Op. 45 | 151 | |
| Alman | 30 | |
| Pavane No. 1 | 6 | |
| Pavane No. 2 | 8 | |
| Pavane No. 3 | 10 | |
| Pavane No. 4 | 12 | |
| Pavane No. 5 | 14 | |
| Pavane No. 6 | 15 | |
| Fantasia No. 10 | 17 | |
| Diferencias sobre "Guardame las vacas" | 4 | |
| Canon in D | 39 | |
| Canarios | 32 | |
| Espanoleta | 35 | |
| Las Folias de Espana | 36 | |
| Sonata, K. 32 | 92 | |
| Sonata, K. 322 | 93 | |
| Sonata, K. 391 | 97 | |
| Study, Op. 6, No. 6 | 115 | |
| Study, Op. 6, No. 11 | 120 | |
| Study, Op. 31, No. 20 | 126 | |
| Study, Op. 35, No. 22 | 128 | |
| Introduction, Theme and Variations, Op. 9 | 130 | |
| Sonata, Op. 15b | 141 | |
| Adelita (Mazurka) | 172 | |
| Capricho Arabe | 173 | |
| Estudio Brillante | 178 | |
| Lagrima | 186 | |
| Malaguena | 190 | |
| Marieta (Mazurka) | 188 | |
| Recuerdos de la Alhambra | 195 | |
| Passacaglia | 100 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Marvin Blanco
reviewed Masterworks for Guitar: Over 60 Favorites from Four Centuries on March 04, 2018
Masterworks for Guitar: Over 60 Favorites from Four Centuries
Reading Wagner's works is rather unusual. One is accustomed to hear to the music and to the sung text without understanding what the characters are saying and it all ends plainly accepting that what they're saying is meaningful and probably beautiful. Tristan und Isolde is maybe the one Wagner's piece that offer the possibility to enter the overwhelming system of Wagner's conception of Gesamtkunstwerk in the shortest time. Although the usual running time of the opera can go from three to four hours, reading its libretto took me about four days. These operas aren't meant to be read (Wagner's German is demanding in every sense) nor even to be understood by hearing, but to be recieved as a whole transforming experience, thus linking itself with the original function of Greek Tragedy. This is powerful, exacting stuff, but the strain inverted on it is worth every thinking pause, every dictionary search. The epilogue by Egon Voss clarifies key-aspects for a better grasp and it's skillfully written.
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish List
X
This item is in your Collection
Masterworks for Guitar: Over 60 Favorites from Four Centuries
X
This Item is in Your Inventory
Masterworks for Guitar: Over 60 Favorites from Four Centuries
X
You must be logged in to review the productsX
X
X
Add Masterworks for Guitar: Over 60 Favorites from Four Centuries, , Masterworks for Guitar: Over 60 Favorites from Four Centuries to the inventory that you are selling on WonderClubX
X
Add Masterworks for Guitar: Over 60 Favorites from Four Centuries, , Masterworks for Guitar: Over 60 Favorites from Four Centuries to your collection on WonderClub |
