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Acknowledgments | ||
Introduction: Masking, Misrecognition, Mimicry | 1 | |
1 | Dispossession, Nonpossession, and Self-Possession: Postindependence Masking in Lovelace's The Dragon Can't Dance | 51 |
2 | The New Visibilities: Middle-Class Cosmopolitanism in the Street | 73 |
3 | Specularity and the Language of Corpulence: Estrella's Body in Cabrera Infante's Tres tristes tigres | 101 |
4 | Turning a Blind Eye in the Name of the Law: Cultural Alienation in Chamoiseau's Solibo Magnifique | 126 |
Notes | 153 | |
Works Cited | 165 | |
Index | 171 |
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Add Masking and power, Does the mask reveal more than it conceals? What, this book asks, becomes visible and invisible in the masking practiced in Caribbean cultures-not only in the familiar milieu of the carnival but in political language, social conduct, and cultural expressi, Masking and power to the inventory that you are selling on WonderClubX
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Add Masking and power, Does the mask reveal more than it conceals? What, this book asks, becomes visible and invisible in the masking practiced in Caribbean cultures-not only in the familiar milieu of the carnival but in political language, social conduct, and cultural expressi, Masking and power to your collection on WonderClub |