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Illustrations | ||
Acknowledgments | ||
Introduction: Rethinking Modernism and the Consumer Culture | 1 | |
Ch. 1 | The Market for Modernism in the 1920s and 1930s | 11 |
Ch. 2 | Maintaining Highbrow Standards: B. W. Huebsch Opens the Door to Modern Literature | 45 |
Ch. 3 | Opening Markets to Modernism: Alfred Knopf's Promotion of Thomas Mann in the 1920s | 81 |
Ch. 4 | The "Novel of Ideas" Meets the "Overbright Glare of Publicity": Alfred Harcourty and the American Avant-Garde | 111 |
Ch. 5 | Changing American Literary Taste: Scribner's and Ernest Hemingway | 145 |
Ch. 6 | "How to Enjoy James Joyce's Great Novel Ulysses" | 173 |
Conclusion: Readers, Consumption, and Highbrow Culture | 215 | |
Notes | 225 | |
Bibliography | 247 | |
Index | 253 |
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Add Marketing Modernism between the Two World Wars, Looking at the advertising policies of publishing houses in the 1920s and 1930s, Turner (English, College Misericordia) examines the process by which highbrow works of fiction, including the work of writers such as D. H. Lawrence, Gertrude Stein, and Er, Marketing Modernism between the Two World Wars to the inventory that you are selling on WonderClubX
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Add Marketing Modernism between the Two World Wars, Looking at the advertising policies of publishing houses in the 1920s and 1930s, Turner (English, College Misericordia) examines the process by which highbrow works of fiction, including the work of writers such as D. H. Lawrence, Gertrude Stein, and Er, Marketing Modernism between the Two World Wars to your collection on WonderClub |