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Acknowledgments | ||
Introduction | ||
Taking Place: Toward the Regrounding of American Studies | 3 | |
Place and Culture: Analeptic for Individuality and the World's Indifference | 27 | |
Place-on-the-Move: Space and Place for the Migrant | 53 | |
"To Lose the Unspeakable": Folklore and Landscape in O. E. Rolvaag's Giants in the Earth | 89 | |
Back Home: Southern Identity and African-American Gospel Quartet Performance | 112 | |
Thoreau's Journal: The Creation of a Sacred Place | 139 | |
Possessing America: William Carlos Williams's Paterson and the Poetics of Appropriation | 152 | |
"Roots, Aren't They Supposed to Be Buried?": The Experience of Place in Midwestern Women's Autobiographies | 168 | |
Beyond the Sacred and the Profane: Cultural Landscape Photography in America, 1930-1990 | 191 | |
The Formal Garden in the Age of Consumer Culture: A Reading of the Twentieth-Century Shopping Mall | 231 | |
Topographies of Power: The Forced Spaces of the Manhattan Project | 251 | |
Priesthoods and Power: Some Thoughts on Diablo Canyon | 291 | |
Notes on Contributors | 303 | |
Index | 305 |
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Add Mapping American Culture, What connections can be drawn between oral history and the shopping mall? Gospel music and the Diablo Canyon nuclear power plant? William Carlos Williams's Patterson and the Manhattan Project's secret cities? The answers lie in this insightful coll, Mapping American Culture to your collection on WonderClub |