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Acknowledgments | ||
Note on Language and Orthography | ||
Introduction: Living Santeria | 1 | |
1 | "The Blood That Runs Through the Veins": Defining Identity and Experience in Dilogun Divination | 15 |
2 | "I Bow My Head to the Ground": Creating Bodily Experience through Initiation | 27 |
3 | "My Pants are Bloody": Negotiating Identity in American Santeria | 43 |
4 | Living with the Orichas: Ritual and the Social Construction of the Deities | 57 |
5 | Imagining Power: The Aesthetics of Ache in Santeria | 85 |
6 | Santeria and the Social Construction of Subjectivity | 113 |
Glossary | 123 | |
Notes | 137 | |
References | 149 | |
Index | 161 |
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Add Living Santeria: Rituals and Experiences in an Afro-Cuban Religion, In 1992 Smithsonian anthropologist Michael Atwood Mason traveled to Cuba for initiation as a priest into the Santería religion. Since then he has created an active oricha house and has initiated five others as priests. He is a rare combination: a schola, Living Santeria: Rituals and Experiences in an Afro-Cuban Religion to the inventory that you are selling on WonderClubX
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Add Living Santeria: Rituals and Experiences in an Afro-Cuban Religion, In 1992 Smithsonian anthropologist Michael Atwood Mason traveled to Cuba for initiation as a priest into the Santería religion. Since then he has created an active oricha house and has initiated five others as priests. He is a rare combination: a schola, Living Santeria: Rituals and Experiences in an Afro-Cuban Religion to your collection on WonderClub |