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Book Categories |
Preface | ix | |
Transcription Conventions | xiii | |
1 | Introduction: Dialogism and Subjectivity | 1 |
2 | "That was before I ever left home": Complex Accounts of a Simple Childhood | 28 |
3 | "If you had to work as hard as I did, it would kill you": Work, Narrative, and Self-Definition | 49 |
4 | "I said, 'Don't you do it'": Tracing Development as an Empowered Speaker through Reported Speech in Narrative | 68 |
5 | "He never did say anything about my dreams that would worry me after that": Negotiating Gender and Power in Ghost Stories | 98 |
6 | "I'm a bad one to go pulling jokes on people": Practical Joking as a Problematic Vehicle for Oppositional Self-Definition | 135 |
7 | "My singing is my life": Repertoire and Performance | 156 |
8 | Epilogue | 211 |
Notes | 214 | |
Works Cited | 229 | |
Index | 241 |
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Add Listening For A Life: A Dialogic Ethnography of Bessie Eldreth through Her Songs and Stories, In one sense a folklorist's portrayal of a notable folk artist's life and art, Listening for a Life is equally a rethinking of the processes involved in such work, not only in how the folklorist conveys her subject but in how her subject constitute, Listening For A Life: A Dialogic Ethnography of Bessie Eldreth through Her Songs and Stories to the inventory that you are selling on WonderClubX
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Add Listening For A Life: A Dialogic Ethnography of Bessie Eldreth through Her Songs and Stories, In one sense a folklorist's portrayal of a notable folk artist's life and art, Listening for a Life is equally a rethinking of the processes involved in such work, not only in how the folklorist conveys her subject but in how her subject constitute, Listening For A Life: A Dialogic Ethnography of Bessie Eldreth through Her Songs and Stories to your collection on WonderClub |