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Acknowledgments | ||
Contributors | ||
Introduction | 1 | |
Classical Greek Origins of Western Aesthetic Theory | 29 | |
Visible Sounds and Audible Colors: The Ocular Harpsichord of Louis-Bertrand Castel | 49 | |
Opera in the Light of Technology | 73 | |
"Infinitely Repellent Orbs": Visions of the Self in the American Renaissance | 89 | |
"Moral Astronomy": On a Metaphor in Novalis and Its Conceptual Context | 111 | |
The Dialectic of Romantic Enlightenment and the Psychodynamics of the Hypervisual in Holderlin's Hyperion | 132 | |
Aldo Palazzeschi and Giorgio de Chirico: Decentralized Antitraditional Aesthetics | 155 | |
Myth, Invisibility, and Politics in the Late Work of Paul Klee | 174 | |
The Eye's Mind: Henry James's The Sacred Fount and Vladimir Nabokov's The Eye | 187 | |
"Teichoscopy" in the Wall Novels of Peter Schneider and Uri Orlev | 215 | |
Visual Citations: Walter Benjamin's Dialectic of Text and Image | 229 | |
Writing and the Nature of the Supernatural Image, or Why Ghosts Float | 242 | |
Index | 263 |
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