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List of Illustrations Acknowledgements Introduction; L.Gallagher & S.Raman
Macbeth and the Perils of Conjecture; S.H.McDowell
Eying and Wording in Cymbeline; B.R.Smith
‘O, She’s Warm’: Touch in The Winter’s Tale; E.Tribble
Falling into Extremity; P.Cahill
Roman World, Egyptian Earth: Cognitive Difference in Shakespeare’s Antony and Cleopatra; M.Thomas Crane
Hamlet in Motion; S.Raman
Artifactual Knowledge in Hamlet; H.Marchitello
‘Rich eyes and poor hands’: Theaters of Early Modern Experience; A.Rzepka
‘Repeat to me the words of the Echo’: Listening to The Tempest; A.K.Deutermann
Mind the Gaps: The Ear, the Eye, and the Senses of a Woman in Much Ado About Nothing; D.E.Henderson
Works Cited Notes Index
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Add Knowing Shakespeare: Senses, Embodiment and Cognition, A collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in stag, Knowing Shakespeare: Senses, Embodiment and Cognition to the inventory that you are selling on WonderClubX
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Add Knowing Shakespeare: Senses, Embodiment and Cognition, A collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in stag, Knowing Shakespeare: Senses, Embodiment and Cognition to your collection on WonderClub |