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| Series editors' preface | ||
| Preface and acknowledgements | ||
| Ch. I | The modernity of Henry VIII | 1 |
| Ch. II | Performance priorities in Henry VIII | 11 |
| Shakespeare directs All Is True | 11 | |
| Davenant reinvents Shakespeare | 27 | |
| Sarah Siddons's feminine naturalism | 36 | |
| Ch. III | Historicism: Tree after Poel | 55 |
| Ch. IV | The King restored: Guthrie's 'revisionism' | 74 |
| Ch. V | Nunn's contextuality | 92 |
| Ch. VI | Television: the B.B.C. | 108 |
| Ch. VII | Post-modernism and Howard Davies | 121 |
| Ch. VIII | Conclusion | 137 |
| App. A. Twentieth-Century productions of Henry VIII | 146 | |
| App. B. Casts of productions discussed in detail | 147 | |
| Index | 155 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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