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Book Categories |
Acknowledgments | ||
Introduction: Music, Disciplinarity, and Interdisciplinarity | 1 | |
Rethinking Contemporary Music Theory | 13 | |
Terminal Prestige: The Case of Avant-Garde Music Composition | 54 | |
We Won't Get Fooled Again: Rock Music and Musical Analysis | 75 | |
Liverpool and the Beatles: Exploring Relations between Music and Place, Text and Context | 90 | |
The Invention of American Musical Culture: Meaning, Criticism, and Musical Acculturation in Antebellum America | 107 | |
Adequate Modes of Listening | 129 | |
"Out of Notes": Signification, Interpretation, and the Problem of Miles Davis | 147 | |
Writing Ghost Notes: The Poetics and Politics of Transcription | 169 | |
Sisterhood: A Loving Lesbian Ear Listens to Progressive Heterosexual Women's Rock Music | 204 | |
Janacek's Jenufa and the Tyranny of the Domestic | 229 | |
At the Twilight's Last Scoring | 258 | |
Listening Subjects: Semiotics, Psychoanalysis, and the Music of John Adams and Steve Reich | 275 | |
Contributors | 299 | |
Index | 301 |
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Add Keeping score, Keeping Score is a diverse collection of essays that argues for and demonstrates the current effort to redefine the methods, goals, and scope of musical scholarship. This volume gives voice to new directions in music studies, including traditional and ne, Keeping score to the inventory that you are selling on WonderClubX
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Add Keeping score, Keeping Score is a diverse collection of essays that argues for and demonstrates the current effort to redefine the methods, goals, and scope of musical scholarship. This volume gives voice to new directions in music studies, including traditional and ne, Keeping score to your collection on WonderClub |