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Contents
PrefaceAcknowledgmentsI: Background1. Introduction: Early Twentieth-Century Art Music Culture in Caracas; The Significance of Plaza and His Colleagues2. A Portrait of Plaza: The Man, the Musician3. The ComposerII: Plaza's Life and Works4. Beginnings; First Compositions; Vocational Indecision; First Writings on Music (1898-1920)5. Rome; Plans for Musical Renewal in Venezuela (1920-1923)6. Paid to Compose: The Chapel Mastership (1923-1948)7. The Educator, Part 1 (1923-1928)8. The Early Secular and Nationalist Compositions (1924-1929)9. The Nascent Journalist (1925-1928)10. The Founding of the Orfeón Lamas, and Plaza's Creative Response (1927-1963)11. Plaza and the Orquesta Sinfónica Venezuela (1930-1957)12. The Mature Journalist; Writings on Nationalism in Music (1929-1948)13. The Principal Nationalist Compositions with Instruments (1930-1956)14. The Educator, Part 2 (1930-1941)15. The Musicological Pioneer (1936-1964)16. Plaza as the Subject of Reportage17. The Later Non-Nationalist Compositions (1930-1963)18. The Educator, Part 3 (1942-1962)19. Retirement; Final Thoughts on Education and Culture (1962-1964)20. Plaza in RetrospectNotesBibliographyIndex
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