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In the first critical study wholly devoted to Joseph Conrad's use of techniques associated with the literary tradition of romance, Baxter explores the ways in which Conrad borrows from, alludes to, and subverts the tropes of romance. Baxter examines not only familiar novels like Lord Jim but also less-studied works such as Romance and The Rover. Her study enables a new appreciation of the ways in which Conrad continued to experiment, even in his later fiction, and of the ethical import of that aesthetic experimentation.
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