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Illustrations vii
Acknowledgments ix
Introduction 1
Identifying Others 13
Sampling Blackness: Music and Identification in the Films of Neil Jordan and Spike Lee 37
"It's a Wise Child that Knows His Own Father": Pregnant Performances and Maternal Mythologies 77
Culturing Violence: Masculine Identificarion in Irish and African American Gangster Films 117
"Both Sides of the Epic": Identification and the Nonessentialist Western 151
Conclusion: Film Identification and Postmodern Identity Politics 191
Notes 195
Works Consulted 209
Index 239
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Add Irish and African American Cinema: Identifying Others and Performing Identities, 1980-2000, Focusing on two film traditions not normally studied together, Mario Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He , Irish and African American Cinema: Identifying Others and Performing Identities, 1980-2000 to the inventory that you are selling on WonderClubX
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Add Irish and African American Cinema: Identifying Others and Performing Identities, 1980-2000, Focusing on two film traditions not normally studied together, Mario Pramaggiore examines more than two dozen Irish and African American films, including Do the Right Thing, In the Name of the Father, The Crying Game, Boyz N the Hood, The Snapper, and He , Irish and African American Cinema: Identifying Others and Performing Identities, 1980-2000 to your collection on WonderClub |