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How Intaglio Printmaking Developed
The origins of intaglio 8
The innovators and their techniques 8
The Move Towards Safer Working Methods
Traditional intaglio techniques and their implications for health, safety and the environment 27
Plates and traditional plate preparation methods 27
Traditional resists, their solvents and etching the plate 27
Traditional collagraphic plate-making 31
Traditional inks and their solvents 31
Sourcing information about chemicals and their correct use 32
How chemicals enter the body 33
High-risk groups 34
A complete safer intaglio system 34
Planning and Equipping a Studio for Intaglio Printmaking
Planning the studio 37
Equipping the studio 40
General studio facilities and equipment 40
Equipment and workstation for direct intaglio methods 46
Equipment and workstations for acrylic-resist etching methods 47
Equipment and workstation for collagraph methods 50
Equipment and facilities for light-sensitive intaglio methods 50
Workstations for making positives 51
Equipment and facilities for printing 52
Good studio practice 56
Personal equipment 58
The Principles of Intaglio Printmaking
The artist's concept 59
Making an intaglio plate 60
Subtractive methods 60
Additive methods 63
Combined intaglio methods 63
Printing from the plate 63
Preparing the Plate
Selecting plate materials 66
Cutting and filing plates 69
Cleaning and de-oxidizing plates 70
Graining the plate surface 71
Polishing the plate surface 75
Degreasing and rinsing plates 78
Direct Intaglio Methods
Engraving 82
Drypoint 86
Mezzotint 90
Scraping and burnishing 93
Repoussage 94
Air-abrading techniques, including the use of light-sensitive and other masks 94
Etching
The etching process and the use of resists 96
Etching working practice checklist 98
Plate-backing resists 99
Types of plate-backing resist and their application methods 100
Hard resists 102
Making a guide drawing 103
Drawing into the resist 103
Working into the resist to create broad open areas 104
Types of hard resist and their application methods 105
Soft resists 110
Creating collage-type impressions 111
The classical offsetting drawing method 113
Drawing directly into the soft resist 115
Types of soft resist and their application methods 115
Stop-out resist and controlling tone 119
Painting methods 120
Drawing into the stop-out resist 121
Correcting or editing an image 121
Stopping out and the stage-biting process 122
Types of stop-out resist 123
Creating tonal structures and the aquatint method 124
Using the puncturing method 125
Creating a scrobiculated surface using soft resist 126
Creating an etched ink-holding grid using soft resist 127
Creating an aquatint 128
Types of acrylic resist for aquatint 136
Wash resists 138
Painting methods 138
Types of wash resist 140
Photoresists 140
Lamination method 142
Exposing the photoresist 144
Developing the photoresist 146
Curing, drying, etching or working the plate further 148
Other types of resist 148
Oily resists 148
Waterproof marker pens 150
Photocopy transfers 150
Adhesive tapes 151
Etching the plate 151
Mordants 151
Mordants which are not recommended 152
Mordants which are recommended 154
Collagraphy
Collagraphy 162
Creating fine linear work 164
Creating contour lines 166
Creating textures, tones and patterns 167
Creating, lines, washes and tonal areas with carborundum 172
Creating mezzotint effects and pale tones 173
Using screenprinting techniques 176
Photocollagraphy 176
Using dry film photoresist to create photocollagraph plates 177
Using flexographic water-washable photopolymer plates as photocollagraphs 179
Positives
Using positives in light-sensitive intaglio printmaking 181
Substrates and materials used for positives 181
Autographic positives 181
Photographic positives 189
Digital positives 190
Photocopy positives 191
Halftone contact screens 191
Colour separation and process printing 192
Inking-Up and Printing Methods
Approaches to printing 193
The intaglio inking-up and printing method 193
A la poupee 198
Embossing 198
Chine colle 199
Roll-over and viscosity printing methods 201
Monotypes 203
Combining intaglio with other media 206
Registration methods 208
Inks and additives 210
Making inks for intaglio methods 212
Removing Resists, Collagraph Materials and Inks from the Plate
Sodium carbonate stripping solution 214
Lascaux Remover and Mystrol 215
Vegetable oil 215
Printing Substrates
Paper 217
Preparing the paper for printing 219
Other substrates and printing into plaster 220
Collating and Presenting Intaglio Prints
Collating intaglio prints 222
Presenting intaglio prints 224
Storing plates 224
International Suppliers of Materials 230
Glossary 235
Picture Credits 237
Index 238
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Add Intaglio : The Complete Saftey-First System for Creative Printmaking, The complete safety-first system for creative intaglio printmaking. This practical and inspirational book is the definitive guide to intaglio printmaking. With clear step-by-step instructions and hundreds of illustrations, it describes met, Intaglio : The Complete Saftey-First System for Creative Printmaking to the inventory that you are selling on WonderClubX
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Add Intaglio : The Complete Saftey-First System for Creative Printmaking, The complete safety-first system for creative intaglio printmaking. This practical and inspirational book is the definitive guide to intaglio printmaking. With clear step-by-step instructions and hundreds of illustrations, it describes met, Intaglio : The Complete Saftey-First System for Creative Printmaking to your collection on WonderClub |