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Acknowledgments | ix | |
Balsero Dreams | 1 | |
Gusano at the Hatuey Brewery | 16 | |
Epidemic | 19 | |
Fantomas, Master of Disguise | 21 | |
Hilario, El carretero del barrio, Arroyo Naranjo, Cuba, circa 1969 | 23 | |
The Delgados's Son | 27 | |
Initiation | 36 | |
Blown | 43 | |
Conduit | 49 | |
Grandmother's Instructions | 51 | |
Corners | 52 | |
Jinetera Currency | 63 | |
Grease | 64 | |
Chosen | 69 | |
Mariposas Negras: My Mother's Return to Cuba | 79 | |
The Day the Police Took My Father Away | 81 | |
Ricochet | 83 | |
The Policeman's Story | 91 | |
Mangos | 93 | |
Cosas Sinatra | 110 | |
Tin Can & Fruit Crate Art, or How My Grandmother Spent Her Final Days | 112 | |
The Monkey Story | 114 | |
The Year the Moscow Circus Came to Havana | 116 | |
Water Songs | 118 | |
Psalm of the Boy Cartographer | 128 | |
Biographical Note | 130 |
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Add Infinite Refuge, Cultural Writing. Latino/Latina Studies. Rather than decry the politics of persecution under a dictatorship or celebrate the freedoms enjoyed in the United States, Suarez instead brings to life his memories on the page: the next-door neighbour of his chil, Infinite Refuge to the inventory that you are selling on WonderClubX
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Add Infinite Refuge, Cultural Writing. Latino/Latina Studies. Rather than decry the politics of persecution under a dictatorship or celebrate the freedoms enjoyed in the United States, Suarez instead brings to life his memories on the page: the next-door neighbour of his chil, Infinite Refuge to your collection on WonderClub |