|
|
Sold Out
Book Categories |
Editor's note; Acknowledgements; Introduction; Part I. Constant: 1. The art of Constant's Adolphe: The stylization of experience (1967); 2. The art of Constant's Adolphe: Creation of character (1966); 3. The art of Constant's Adolphe: Structure and style (1966); 4. Constant romancier: le problème de l'expression (1968); 5. L'Individu et l'ordre social dans Adolphe (1968); 6. Constant's Adolphe read by Balzac and Nerval (1972); 7. Framework as a suggestive art in Constant's Adolphe (with remarks on its relation to Chateaubriand's René) (1979); 8. The shaping of Adolphe: some remarks on variants (1979); Part II. Baudelaire: 9. Some remarks on Baudelaire's Poème du Haschisch (1952); 10. Observations sure les Petits poèmes en prose (1967); 11. Quelques remarques sur les Petits poèmes en prose (1968); 12. Aspects of expression in Baudelaire's art criticism (1972); 13. Reflections on the successive versions of 'Une Gravure fantastique' (1973); 14. 'Mène-t-on la foule dans les ateliers?' - some remarks on Baudelaire's variants (1973); 15. Baudelaire's correspondence (1974); 16. The new Pléiade edition of Baudelaire's complete works (1977); Part III. Nerval: 17. An approach to Nerval (1961); 18. Aspects of suggestion in Nerval (1965); 19. Nerval et Richelet (1958); 20. Le Mythe d'Orphée dans l'œuvre de Gérard de Nerval (1970); Part IV. Flaubert: 21. Flaubert et la conscience du réel (1967); 22. Flaubert and the authors of the French Renaissance (1968); 23. Flaubert and some painters of his time (1974); 24. Some patterns of suggestion in L'Éducation sentimentale (1969); 25. Pellerin et le thème de l'art dans L'Éducation sentimentale (1969); 26. Sentiments et sensations chez Flaubert (1974); 27. La Contradiction créatrice: quelques remarques sur la genèse d'Un Cœur simple (1979); Select bibliography; Index.
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Tia Blair
reviewed Imagination and Language on May 21, 2014
Imagination and Language
Obviously well researched, this shed unfiltered light on Camus as well as the political and social landscapes of his time. He appears to have had many more struggles than I ever imagined, but, despite exposing "warts and all", the author still presents a man of integrity who is "true to his contradictions". Damn, I love that phrase.
The author is quite conversant with absurdism and existentialism, so the full meanings and implications of Camus' writings were explained.....and will be forgotten.
The passage was stupendous:
Camus, who was an excellent theologian, repeats that, whereas innocence is a unity, guilt is a form of division which leaves man without any core of character, makes him subservient to others, and forces him to realize that he is an "other" to himself.
Learning that Camus could also hold a grudge? Priceless!
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish List
X
This item is in your Collection
Imagination and Language
X
This Item is in Your Inventory
Imagination and Language
X
You must be logged in to review the productsX
X
X
Add Imagination and Language, Innumerable scholars have looked to Alison Fairlie for guidance in locating important areas for research and in choosing productive and provocative critical questions to ask about nineteenth-century French literature. These essays contain not simply pract, Imagination and Language to the inventory that you are selling on WonderClubX
X
Add Imagination and Language, Innumerable scholars have looked to Alison Fairlie for guidance in locating important areas for research and in choosing productive and provocative critical questions to ask about nineteenth-century French literature. These essays contain not simply pract, Imagination and Language to your collection on WonderClub |
