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Acknowledgments | ||
Introduction | 3 | |
1 | Egmont as Text: Scholarly Documentation | 24 |
2 | Egmont. Ein Trauerspiel in drey Aufzugen | 36 |
3 | From Text to Performance | 92 |
4 | Reflections of the Text in Performance | 123 |
5 | Text and Image | 148 |
6 | Acting 1: Image on Stage | 176 |
7 | Acting 2: The Director's Image | 189 |
8 | Acting 3: Image in Society | 209 |
9 | Goethe and Egmont Today: Stage and Screen | 226 |
Conclusion | 268 | |
Notes | 271 | |
Works Cited | 305 | |
Index | 320 |
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Add Images of Goethe Through Schiller's Egmont, John argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It f, Images of Goethe Through Schiller's Egmont to the inventory that you are selling on WonderClubX
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Add Images of Goethe Through Schiller's Egmont, John argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It f, Images of Goethe Through Schiller's Egmont to your collection on WonderClub |