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Acknowledgments | ||
The House | 1 | |
The History She Was Born Into | 5 | |
The History of Form | 17 | |
While Staying Connected | 27 | |
California | 41 | |
Interdisciplinarity Is Risky | 45 | |
Organicism as Critical Theory | 49 | |
Primatology | 53 | |
Historical Good Luck | 61 | |
Simians, Cyborgs, and Women | 65 | |
Disease Is a Relationship | 73 | |
More Than Metaphor | 81 | |
A Gene Is Not a Thing | 89 | |
Cyborg Temporalities | 97 | |
Diffraction as Critical Consciousness | 101 | |
Worldly Practice | 109 | |
Breakdown | 113 | |
Cyborg Surrealisms | 119 | |
Unfamiliar Unconscious | 123 | |
It Wasn't Born In a Garden, but It Certainly Was Born In a History | 127 | |
How Like a Leaf | 131 | |
Menagerie of Figurations | 135 | |
OncoMouse | 139 | |
Vampire Culture | 149 | |
Modest Witness | 155 | |
Telepathic Teaching | 163 | |
Coda: Passion and Irony | 171 | |
Bibliography | 173 | |
About the Authors | 175 | |
Index | 181 |
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