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Book Categories |
| Negro Jazz | 3 | |
| Serge Lifar: A Study | 9 | |
| Harpsichords and Jazz Trumpets | 12 | |
| Negro Jazz as Folk Material for Our Modern Dance | 27 | |
| On Nijinsky Photographs | 33 | |
| Dance in the Cinema | 36 | |
| From Spirituals to Swing: An Evening of American Negro Music | 39 | |
| Consider the Critics | 44 | |
| Hot Jazz: Notes on the Future | 75 | |
| Bubber | 84 | |
| Hot Jazz: Est-ce du Bach | 90 | |
| Identifications | 94 | |
| Jazz in the Twenties | 99 | |
| Duke Ellington | 106 | |
| Wanda Landowska | 109 | |
| Lu Watters Correspondence | 111 | |
| Louis Armstrong | 123 | |
| Jazz Critic Looks at Anthropologist | 126 | |
| Dancing on Skates: Correspondence | 141 | |
| The Dance-Basis of Jazz | 143 | |
| Jazz of This Quarter | 151 | |
| Categorical Terms in Jazz: Improvisation versus Arranged Jazz | 156 | |
| Attitude Towards Early and Late Jazz | 163 | |
| The Psychology of the Hot Solo | 167 | |
| A Non-Aesthetic Basis for the Dance | 173 | |
| The Deceptive Nature of Sensuousness in Ensemble Playing | 178 | |
| The Place of Space and Time in the Dance | 183 | |
| Alicia Markova and Alicia Alonso | 192 | |
| France's Answer to Bebop | 195 | |
| Nijinsky: An Appreciation | 199 | |
| Landmark: Landowska Completes the "48" | 203 | |
| Jazz: Its Rise and Decline | 205 | |
| A Listener's Hierarchy in Jazz: Historical Precedents for the Future | 216 | |
| The Importance of Dance Style in the Presentation of Early Western Instrumental Music | 228 | |
| Jazz and the Dance | 239 | |
| The Problem of Form | 240 | |
| Objective Criteria | 245 | |
| Bubber Miley | 247 | |
| The Cuban Sexteto | 260 | |
| Popular Singers | 269 | |
| Throwback | 275 | |
| Jazz Dance, Mambo Dance | 278 | |
| Write That Thing | 291 | |
| Uses of the Past: A Reply to Martin Williams and Douglas Pomeroy | 293 | |
| Tradition in Ballet: Les Sylphides | 295 | |
| Reviews | 297 | |
| Index | 365 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Renee Snoddy
reviewed Hot jazz and jazz dance on December 18, 2014
Hot jazz and jazz dance
This is a unique and indispensable (for me, at least) reference work. It's a guide to films in which jazz (and some blues) musicians either have written the score for or appear in.
My copy is a 1977 edition published by Arlington House. I imagine that the book has been updated since then.
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Add Hot jazz and jazz dance, Long before Martin Williams, Gene Lees, or Gunther Schuller, Roger Pryor Dodge was writing seriously about jazz. A ballet, vaudeville, and jazz dancer, Dodge turned his critical attention to the music in the 1920s, helping to build the respect jazz has lo, Hot jazz and jazz dance to the inventory that you are selling on WonderClubX
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Add Hot jazz and jazz dance, Long before Martin Williams, Gene Lees, or Gunther Schuller, Roger Pryor Dodge was writing seriously about jazz. A ballet, vaudeville, and jazz dancer, Dodge turned his critical attention to the music in the 1920s, helping to build the respect jazz has lo, Hot jazz and jazz dance to your collection on WonderClub |