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CONTENTS
Acknowledgments
Introduction: I'm Really a Queen Myself
PART 1
Film Noir and the Political Economy of Cold War Masculinity
1
Masculinizing the American Dream: Discourses of Resistance in the Cold War Era
2
Resisting the Lure of the Commodity: Laura and the Spectacle of the Gay Male Body
3
“Real American History”: Crossfire and the Increasing Invisibility of Gay Men in the Cold War Era
PART 2
Gay Male Cultural Production in the Cold War Era
4
Tennessee Williams and the Politics of the Closet
5
Gore Vidal and the Erotics of Masculinity
6
A Negative Relation to One's Culture: James Baldwin and the Homophobic Politics of Form
Conclusion: The Work of Transformation
Notes
Index
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Add Homosexuality in Cold War America: Resistance and the Crisis of Masculinity, Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the 1950s resisted pressures to remain in the closet. Robert J. Corber argues that a form of gay male identit, Homosexuality in Cold War America: Resistance and the Crisis of Masculinity to the inventory that you are selling on WonderClubX
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Add Homosexuality in Cold War America: Resistance and the Crisis of Masculinity, Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the 1950s resisted pressures to remain in the closet. Robert J. Corber argues that a form of gay male identit, Homosexuality in Cold War America: Resistance and the Crisis of Masculinity to your collection on WonderClub |