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| Ch. 1 | The Captivity Narrative Tradition and Hollywood Film | 1 |
| Ch. 2 | Resisting Rescue: The Problem of the Captive's Agency in The Searchers | 29 |
| Ch. 3 | The Captive's Return and the Limits of Community in The Unforgiven, Two Rode Together, and Comanche Station | 49 |
| Ch. 4 | Making a Name for Himself: The Captive as Adopted Son in A Man Called Horse and Little Big Man | 77 |
| Ch. 5 | The Captivity Plot and the Politics of Postmodernism in Taxi Driver | 111 |
| Ch. 6 | The Rescue Mission and the Recuperation of the Hero in the Vietnam War Film | 133 |
| Conclusion | 163 | |
| Filmography | 167 | |
| Works Cited | 173 | |
| Index | 179 |
| Price | Condition | Delivery | Seller | Action |
| $138.00 | Digital |
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Add Hollywood's Frontier Captives : Cultural Anxiety and the Captivity Plot in American Film, The captivity narrative, the earliest genre of American popular literature, continues to be of cultural significance in late 20th-century Hollywood. Many popular films of the last four decades incorporate the most common elements of the captivity narrativ, Hollywood's Frontier Captives : Cultural Anxiety and the Captivity Plot in American Film to the inventory that you are selling on WonderClubX
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Add Hollywood's Frontier Captives : Cultural Anxiety and the Captivity Plot in American Film, The captivity narrative, the earliest genre of American popular literature, continues to be of cultural significance in late 20th-century Hollywood. Many popular films of the last four decades incorporate the most common elements of the captivity narrativ, Hollywood's Frontier Captives : Cultural Anxiety and the Captivity Plot in American Film to your collection on WonderClub |