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| Acknowledgments | ||
| Introduction | 1 | |
| 1 | The Lady Vanishes, but the Letter Remains: Julia Kristeva and the Maternal Real(m) | 13 |
| 2 | The Fear of Women and the Writing in Spellbound: Kaja Silverman and the Question of Castration | 27 |
| 3 | Rebecca, Repetition, and the Circulation of Feminine Desire: Judith Butler and the Materiality of the Letter | 45 |
| 4 | Notorious: Luce Irigaray, Feminine Fluids, and Masculine (Be)Hind-Sight | 59 |
| 5 | Vertigo: Sexual Dis-Orientation and the En-Gendering of the Real | 77 |
| 6 | Marnie: Abjection, Marking, and Feminine Subjectivity | 93 |
| 7 | Rear Window Ethics: Laura Mulvey and the Inverted Gaze | 109 |
| 8 | The Birds: Zizek, Ideology, and the Horror of the Real | 123 |
| Epilogue: Psycho and the Horror of the Bi-Textual Unconscious | 135 | |
| Notes | 149 | |
| Index | 163 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
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Add Hitchcock's Bi-Textuality, This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posi, Hitchcock's Bi-Textuality to the inventory that you are selling on WonderClubX
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Add Hitchcock's Bi-Textuality, This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posi, Hitchcock's Bi-Textuality to your collection on WonderClub |