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List of Black and White Illustrations vii
List of Colour Plates xi
Acknowledgements xiii
The Origins of Video Art: The Historical and Cultural Context
In the Beginning: The Origins of Video Art 5
Crossing Boundaries: International Tendencies and Influences in Early Artists' Video 19
Technology, Access and Context: Social and Political Activists and Their Role in the Development of Video Art 59
Expanded Cinema: The Influence and Relationship of Experimental, Avant-Garde and Underground Film 71
Musique Concrete, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experimental Music on Video Art 89
Theory and Practice: The Influence and Impact of Theoretical Ideas on Technology-Based Practice in the 1970s 101
Beyond the Lens: Abstract Video Imagery and Image Processing 111
A Discussion of Some Representative and Influential Video Art Works Set in Relation to their Technical and Critical Context
In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video 149
Vertical Roll Joan Jonas, USA, 1972
Television Delivers People Richard Serra Carlotta Fay Schoolman, USA, 1973
This is a Television Monitor David Hall, UK, 1973
Monitor 1 Steve Partridge, UK, 1975
The Video Touch Wojciech Bruszewski, Poland,1977
Cutting It: Accessible Video Editing 165
Keeping Marlene Out of the Picture Eric Cameron, Canada, 1973
Technology/Transformation: Wonder Woman Dara Birnbaum, USA, 1979
The Western is Alive Klaus vom Bruch, West Germany, 1983
With Child Catherine Elwes, UK, 1984
Blue Monday Duvet Brothers, UK, 1984
Mixing It: Electronic/Digital Image Manipulation 181
Monument Ture Sjolander Lars Week, Sweden, 1967
Merging-Emerging Peter Donebauer, UK, 1978
The Reflecting Pool Bill Viola, USA, 1977-79
Juste le Temps Robert Cahen, France, 1983
Art of Memory Woody Vasulka, USA, 1987
Obsessive Becoming Daniel Reeves, UK/USA, 1995
The Gallery Opens Its Doors: Video Installation and Projection 199
De La Michael Snow, Canada, 1971
Il nuotatore Studio Azzurro, Italy, 1984
Television Circle Judith Goddard, UK, 1987
The Situation Envisaged: The Rite II David Hall, UK, 1988
Tall Ships Gary Hill, USA, 1992
The Development of Artists' Video and Video Installation in Response to Technological Change and Accessibility
Fields, Lines and Frames: Video as an Electronic Medium 215
Television Workshops: Broadcast and Cable
Closed-circuit TV Sound and Picture: Colour and Monochrome
Relationship to Sound, The Picture Signal, The Camera Image, Recordings and Tape
The Means of Production: Feminism and 'Otherness' - Race, Sexuality, Technology and Access 235
New Technologies: Freedom from History
Performance, Video, Intimacy and 'Liveness'
Ethnicity, Sexuality, Race and Issues, of Access and Visibility
Alternative Means of Distribution and Exhibition
Off the Wall: Video Sculpture and Installation 243
Video Installation: Relationships between Images and Space
Sculptural Installations and Video Sculpture
Video Projection: Cinema or Television?
Going Digital: The Emergence of Digital Video Processing and Effects 261
The Emergence of Digital Effects
Interactivity: New Narrative Possibilities
Computer Editing: Non-Linearity
The Virtual
Is There a 'Digital Aesthetic'?
The End of Video Art? Convergence and the Blurring of Boundaries Between Film and Video 277
Convergence. Recent Artists' Video and Blurring of Film and Production Techniques
Glossary of Technical Terms and Processes 285
Notes 289
Bibliography 305
Index 311
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Derek Withey
reviewed History of Video Art The Development of Form And Function on March 04, 2019
History of Video Art The Development of Form And Function
Whilst this is obviously a textbook, and you have to be a bit of a nerd to read it when not doing the subject, I actually enjoyed it! Basically a multi millennia review of the story of art, from its earliest origins in cave paintings, (though I was disappointed that rock art in the NW of WA did not get a mention) through to the present day. Gave me a very strong sense of its development and how everything fits into the long development of painting, sculpture and architecture, to give sense to what we see today. as such it will have changed and allowed an (I suspect very superficial) analysis of everything I see from now on!
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Add History of Video Art The Development of Form And Function, A History of Video Art is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice, History of Video Art The Development of Form And Function to the inventory that you are selling on WonderClubX
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Add History of Video Art The Development of Form And Function, A History of Video Art is a critical introduction and guide to artists' video. It covers the period from the early 1960s - when video art first appeared as a distinctive medium - into the 1990s - when digital technology merged video's distinctive practice, History of Video Art The Development of Form And Function to your collection on WonderClub |