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Preface: Six Readers Reading - and Feeling | ||
Acknowledgments | ||
1 | Introduction: Effeminacy, Feelings, Forms | 1 |
Effeminacy: A Third Term for Gender Studies | 9 | |
Feelings: How Do You Really Feel? | 11 | |
Forms: Feminist Narratology and Close Reading | 23 | |
2 | The Cry: Effeminate Sentimentalism | 29 |
Having a Good Cry | 30 | |
Sentimentalism and Sexism | 34 | |
A Narratology of Good-Cry Techniques | 41 | |
Crying Over The Color Purple | 50 | |
3 | The Cringe: Marriage Plots, Effeminacy, and Feminist Ambivalence | 58 |
Reading Too Closely for Comfort | 60 | |
Discomforts of Reading Pretty Woman | 64 | |
4 | The Thrill and the Yawn: Antieffeminate Structures of Feeling in Serial Forms | 71 |
Self-Conscious Serial Forms | 73 | |
Reading the (Boring) Victorian Serial | 76 | |
Antieffeminate Affect | 88 | |
E-mail as an Antieffeminate Form | 96 | |
Bending Gender and the Habits of Affect | 99 | |
5 | The Climax and the Undertow: Effeminate Intensities in Soap Opera | 102 |
Who Is the "I" Who Watches Soaps? | 105 | |
Intensities and Long-Term Viewing | 108 | |
Effeminate Feeling and Soap Form | 116 | |
Afterword: The Reader's Body from the Inside Out | 120 | |
Notes | 125 | |
Bibliography | 135 | |
Index | 143 |
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Add Having a good cry, Warhol (English, U. of Vermont) examines the ways in which various effeminate varieties of 19th- and 20th-century fiction use formulas to produce certain responses (such as crying) among their fans. Taking a psycho-physiological approach, the author see, Having a good cry to the inventory that you are selling on WonderClubX
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Add Having a good cry, Warhol (English, U. of Vermont) examines the ways in which various effeminate varieties of 19th- and 20th-century fiction use formulas to produce certain responses (such as crying) among their fans. Taking a psycho-physiological approach, the author see, Having a good cry to your collection on WonderClub |