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| Acknowledgments | ||
| A Methodological Note | ||
| Prologue: In the Theatre | ||
| Introduction: The Medusa and the Shield | 3 | |
| The Being of the Critic | 3 | |
| The Being of the Text | 5 | |
| The Being of Drama | 8 | |
| The Actor's Being | 11 | |
| Incipit tragoedia | 12 | |
| 1 | Souls on Ice: The Iceman Cometh | 13 |
| Group Psychology: An Introductory Sketch | 14 | |
| Act I: Catharsis Through Comedy | 16 | |
| Act II: Aggression, Anxiety, and Collective Death-Work | 21 | |
| Act III: Acting Out One's Paralysis: Death-Work as Comedy of the Absurd | 28 | |
| Act IV: Death-Work In and For Itself | 39 | |
| 2 | The Perfect Couple: A Streetcar Named Desire | 60 |
| Role Playing...and Identity | 60 | |
| Four Characters, One Complex: A Hermeneutic Circle | 66 | |
| The Unholy Trinity: Sex Appeal, Flirting, Rape | 72 | |
| Sexuality as Mutual Cruelty | 75 | |
| 3 | All in the Family: Death of a Salesman | 103 |
| Representation, Intention, and Ideology | 103 | |
| Act I: Come Back With Your Shield - and On It | 107 | |
| Act II: Inside the Head | 124 | |
| 4 | Drug of Choice: Long Day's Journey into Night | 147 |
| Act I: Blame and the Circle of Displacements | 147 | |
| Act II: Guilt and the System of Defenses | 160 | |
| Act III: The Return of the Projections: or, Mary's Narratives | 175 | |
| Act IV: Self-Revelation as Self-Unraveling | 186 | |
| 5 | The Academic Festival Overture: Who's Afraid of Virginia Woolf? | 209 |
| Albee's Dramatic Prozess: Getting to the Marrow | 209 | |
| Act I: Games Couples Play | 217 | |
| Act II: Walpurgisnacht as Kadavergehorsamkeit | 232 | |
| Act III: The Exorcist Cometh | 245 | |
| Epilogue: Entering the Crypt - Beyond Reparation and the Symbolic Order | 263 | |
| Notes | 267 | |
| Index | 279 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Jason Madrak
reviewed Get the guests on May 20, 2013
Get the guests
I happened upon this book just before I finished medical school and can truly say it is a book that changed my life. Now, 20+ years since I graduated, I can say that just about everything in it is true.
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Add Get the guests, Through a detailed reading of five great modern American plays—The Iceman Cometh, A Streetcar Named Desire, Death of a Salesman, Long Day's Journey Into Night, and Who's Afraid of Virginia Woolf?—Walter A. Davis calls for a more penetrating , Get the guests to the inventory that you are selling on WonderClubX
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Add Get the guests, Through a detailed reading of five great modern American plays—The Iceman Cometh, A Streetcar Named Desire, Death of a Salesman, Long Day's Journey Into Night, and Who's Afraid of Virginia Woolf?—Walter A. Davis calls for a more penetrating , Get the guests to your collection on WonderClub |
