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From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain Book

From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain
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From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain, From Hogarth to Rowlandson shows how medicine and medical practitioners were portrayed by some of the artists of the eighteenth century. Medical imagery is a forceful component of eighteenth-century art and, taken as a corpus, the works of artists , From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain
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  • From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain
  • Written by author Fiona Haslam
  • Published by Liverpool University Press, 1996/12/16
  • From Hogarth to Rowlandson shows how medicine and medical practitioners were portrayed by some of the artists of the eighteenth century. Medical imagery is a forceful component of eighteenth-century art and, taken as a corpus, the works of artists
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Authors

Foreword by Professor Martin Kemp
List of Illustrations
Acknowledgements
Preface
Introduction
1. Setting the Medical Scene: the History of the Development of Medical Practice
2. Medical Images in Hogarth's London: Early Satires
—i. The Rabbit Woman: art and guile in the case of Mary Toft
—ii. The Company of Undertakers
3. The Itinerant Quack
4. A Pox on You All: Medical Images in Eighteenth-Century Themes of Morality
—i. A Harlot's Progress
—ii. Marriage-à-la-Mode
—iii. Mothers' Ruin: Gin Lane and the art of alcohol abuse
5. Hogarth at St. Bartholomew's Hospital
6. A Question of Taste, or a Taste of Madness
—i. The Rake's Progress
—ii. Hypochondriasis
—iii. Treatment of madness
7. Fashions in Health and Treatment
—i. Taking the waters
—ii. Aerial, aetherial, magnetic and electrical applications
—iii. 'Wonders! Wonders! Wonders! and Wonders!'
—iv. Animal magnetism
—v. Tractorisation
8. From the Womb...
—i. Touching on midwifery
—ii. What became of the children?
—iii. Vaccination
9. ...To the Tomb
—i. Dentistry: a big smile
—ii. Licensed to kill?
—iii. A public anatomy
—iv. Kill or cure
10. The End
—i. Death comes at the end
—ii. Remember thou shalt die
References
Bibliography
—i. Primary Sources
—ii. Secondary sources
Index


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From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain, <i>From Hogarth to Rowlandson</i> shows how medicine and medical practitioners were portrayed by some of the artists of the eighteenth century. Medical imagery is a forceful component of eighteenth-century art and, taken as a corpus, the works of artists , From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain

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From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain, <i>From Hogarth to Rowlandson</i> shows how medicine and medical practitioners were portrayed by some of the artists of the eighteenth century. Medical imagery is a forceful component of eighteenth-century art and, taken as a corpus, the works of artists , From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain

From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain

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From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain, <i>From Hogarth to Rowlandson</i> shows how medicine and medical practitioners were portrayed by some of the artists of the eighteenth century. Medical imagery is a forceful component of eighteenth-century art and, taken as a corpus, the works of artists , From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain

From Hogarth to Rowlandson: Medicine in Art in Eighteenth-Century Britain

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