From 1700 to the Present Book

	Introduction
	Autobiography and Print: The Negotiation of Authorship in Eighteenth-Century Spain	1
	Viajes en las Cartas marruecas de Cadalso	21
	Moratin's La Comedia Nueva and the Reform of the Spanish Theater	31
	You Are What You Eat: Dining Customs and Social Satire in "El castellano viejo"	38
	Larra's View of the Middle Class as Perceived Through His: Articulos costumbristas	43
	The Poetics of Gustavo Adolfo Becquer	49
	Don Juan Tenorio, drama del espectaculo: plasticidad y fantasia	67
	Zorrilla's Don Juan Revisited	87
	Realism in Spain: Galdos, Pardo Bazan, Clarin and the European Context	99
	El cuento Un destripador de antano de Emilia Pardo Bazan	129
	Voyeurism, Pornography and La Regenta	141
	Unamuno's Impostors: An Approach to the "nivolas"	150
	From Augusto Perez to Alejandro Gomez to Us: Unamuno's Existential Web	157
	The Dominant Mode of the Sonatas of Valle-Inclan: Aestheticism, Ambiguity or Satire?	169
	The Historical Function of the Grotesque: Valle-Inclan's Art of Spectacle	191
	Sobre el concepto de la novela deshumanizada: aportacion a la teoria orteguiana de la novela	211
	Proceso creador e imaginacion romantica en Juan Ramon Jiminez, teorico y poeta: apuntes para una poetica	219
	Conciencia social en los tres dramas rurales de Garcia Lorca,"	236
	Flesh of the Poet: Representations of the Body in Romancero gitano and Poeta en Nueva York	263
	Luis Cernuda: Poet of Gay Protest	299
	Cosmovisional Backdrop and Rehumanizing Experience in the Work of Aleixandre	318
	Los elementos narrativos en Requiem por un campesino espanol	331
	Cela and the Challenge to History in Francoist Spain	345
	The Theater of Antonio Buero Vallejo: A Cry in the Dark	357
	Father Death and the Feminine: The Winter's "Subject" in Adelaida Garcia Morales' El sur	369
	Metadrama, Creation, Reception and Interpretation: The Role of Art in Paloma Pedrero's El color de agosto	375
	Acknowledgments	381