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Foreign bodies Book

Foreign bodies
Foreign bodies, 
In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and , Foreign bodies has a rating of 4 stars
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Foreign bodies, In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and , Foreign bodies
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  • Foreign bodies
  • Written by author A David Napier
  • Published by Berkeley : University of California Press, c1992., 1996/10/14
  • In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and
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Book Categories

Authors

Illustrations
Introduction: Symbolic Imagination
1 Anonymity and "The Arts Called Primitive" 1
2 Environment for an Animated Memory 34
3 Greek Art and Greek Anthropology: Orienting the Perseus-Gorgon Myth 77
4 Bernini's Anthropology: A Key to the Piazza San Pietro 112
5 Culture as Self: The Stranger Within 139
Epilogue: A Social Theory of the Person 176
Bibliography 201
Index 217


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Foreign bodies, 
In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and , Foreign bodies

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In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and , Foreign bodies

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In five wide-ranging essays, A. David Napier explores the ways in which the foreign becomes literally and metaphorically embodied as a part of cultural identity rather than being seen as something outside it. Pre-classical Greece, Baroque Italy, and , Foreign bodies

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