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List of Illustrations | ||
Foreword | ||
Preface | ||
Acknowledgments | ||
1 | Cinema and Censorship in Southern Rhodesia, 1914-1940 | 1 |
2 | Watching Africans Watch Films: Theorizing Film Literacy in British Africa | 37 |
3 | The Central African Film Unit: Films for Africans, 1948-1963 | 60 |
4 | Monitoring African Film Audiences in the Central African Federation, 1948-1963 | 106 |
5 | Postwar Censorship in the Rhodesian Federation, 1948-1963 | 150 |
6 | The Rhodesian Front Era, 1962-1980 | 188 |
Conclusion | 207 | |
Notes | 211 | |
Bibliography | 251 | |
Index | 269 |
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Add Flickering Shadows: Cinema and Identity in Colonial Zimbabwe, Flickering Shadows tells the story of how motion pictures were introduced and negotiated in a colonial setting. In doing so, it casts light on the history of the globalization of cinema. This work is based on interviews with white and black filmmakers and, Flickering Shadows: Cinema and Identity in Colonial Zimbabwe to the inventory that you are selling on WonderClubX
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Add Flickering Shadows: Cinema and Identity in Colonial Zimbabwe, Flickering Shadows tells the story of how motion pictures were introduced and negotiated in a colonial setting. In doing so, it casts light on the history of the globalization of cinema. This work is based on interviews with white and black filmmakers and, Flickering Shadows: Cinema and Identity in Colonial Zimbabwe to your collection on WonderClub |