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| Preface | ||
| 1 | What's at stake in the history of literary genre theory? | 1 |
| 2 | What is generally understood by the notion of film genre? | 13 |
| 3 | Where do genres come from? | 30 |
| 4 | Are genres stable? | 49 |
| 5 | Are genres subject to redefinition? | 69 |
| 6 | Where are genres located? | 83 |
| 7 | How are genres used? | 100 |
| 8 | Why are genres sometimes mixed? | 123 |
| 9 | What role do genres play in the viewing process? | 144 |
| 10 | What communication model is appropriate for genres? | 166 |
| 11 | Have genres and genre functions changed over time? | 179 |
| 12 | What can genres teach us about nations? | 195 |
| Conclusion: A semantic/syntactic/pragmatic approach to genre | 207 | |
| App | 'A semantic/syntactic approach to film genre' | 216 |
| Bibliography | 227 | |
| Index | 237 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add Film/Genre, Illustrated Film/Genre radically revises our notions. It is the first book to fully connect the roles played by industry critics and audiences in making and re-making genre. In a critiques of major voices in the history of genre theory from Aristotle , Film/Genre to the inventory that you are selling on WonderClubX
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Add Film/Genre, Illustrated Film/Genre radically revises our notions. It is the first book to fully connect the roles played by industry critics and audiences in making and re-making genre. In a critiques of major voices in the history of genre theory from Aristotle , Film/Genre to your collection on WonderClub |