Film and Genocide Book

Preface       

    Kristi M. Wilson and Tomás F. Crowder-Taraborrelli

Introduction       

    Kristi M. Wilson and Tomás F. Crowder-Taraborrelli

Part I: Atrocities, Spectatorship, and Memory

1 Film and Atrocity: The Holocaust as Spectacle       

    Sophia Wood

2 Documenting Atrocity in Orson Welles's The Stranger       

    Jennifer Barker

3 Remembering Revolution after Ruin and Genocide: On Recent Chilean Documentary Films and the Writing of History       

    Michael J. Lazzara

4 "The Power to Imagine": Genocide, Exile, and Ethical Memory in Atom Egoyan's Ararat       

    Georgiana Banita

Part II: Coloniality and Postcoloniality

5 Massacre and the Movies: Soldier Blue and the Sand Creek Massacre of 1864       

    Paul R. Bartrop

6 The Other in Genocide: Responsibility and Benevolence in Rabbit Proof Fence       

    Donna-Lee Frieze

7 Genres of "Yet an Other Genocide": Cinematic Representations of Rwanda       

    Madelaine Hron

Part III: Visual Documentation and Genocide

8 The Specter of Genocide in Errol Morris's The Fog of War: Eleven Lessons from the Life of Robert S. McNamara       

    Kristi M. Wilson

9 GIs Documenting Genocide: Amateur Films of World War II Concentration Camps       

    Marsha Orgeron

10 Through the Open Society Archives to The Portraitist: Film's Impulse Toward Death and Witness       

    Stephen Cooper

Part IV: Interviews

11 Greg Barker, director of Ghosts of Rwanda (2004)       

    Interviewed by Richard O'Connell

12 Nick Hughes, director of 100 Days (2001)       

    Interviewed by Piotr A. Cieplak

13 Irek Dobrowolski, director of The Portraitist (2005)       

    Interviewed by Stephen Cooper

Filmography       

Bibliography       

Contributors       

Index