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Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968 Book

Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968
Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968, The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offe, Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968 has a rating of 3 stars
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Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968, The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offe, Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968
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  • Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968
  • Written by author Charlotte Benton
  • Published by Ashgate Publishing, Limited, September 2004
  • "The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offe
  • Twelve contributions by art scholars examine sculptural practice in both Eastern and Western Europe during the period 1945-1968. The emphasis is on the shift away from the realist figurative traditions of monumental sculpture and towards abstracted altern
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Authors

Introduction1
1Soviet war memorials in Eastern Europe, 1945-7411
2Czechoslovak public sculpture and its context : from 1945 to the 'Realizations' exhibition, 196133
3Public sculpture in Poland in the 1960s : context and practice51
4The metamorphosis of liberty : the monument to Hungarian liberation69
5Modernity and tradition : public sculpture by Gerhard Marcks, 1949-6785
6The advantages of abstract art : monoliths and erratic boulders as monuments and (public) sculptures107
7National division as a formal problem in West German public sculpture : memorials to German unity in Munster and Berlin127
8Figuration and abstraction in Berlin in the 1960s : two modi in East-West art and art politics147
9Invisible topographies and deafening silences : looking for the Memorial to the victims of the deportation in Paris169
10Oskar Hansen, Henry Moore and the Auschwitz memorial debates in Poland, 1958-59193
11The return to nature : Finnish monumental sculpture in the 1950s and 1960s213
12Continuity : Max Bill's public sculpture and the representation of money231


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Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968, The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offe, Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968

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Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968, The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offe, Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968

Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968

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Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968, The notion that the practice of abstraction was confined to Western Europe while a stereotyped form of figuration defined the art of the Eastern bloc continues to dominate art historical accounts of public sculpture of the post-war period. This book offe, Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968

Figuration/Abstraction: Strategies for Public Sculpture in Europe 1945-1968

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