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Acknowledgments ix
Introductory Note and Abbreviations xi
Introduction 3
I. The Politics of Tragic Lamentation 19
II. The Contradictions of Tragic Marriage 57
III. Women as Moral Agents in Greek Tragedy 107
III.1. Virgins, Wives, and Mothers; Penelope as Paradigm 109
III.2. Sacrificial Virgins: The Ethics of Lamentation in Sophocles' Electra 145
III.3. Sacrificial Virgins: Antigone as Moral Agent 172
III4. Tragic Wives: Clytemnestras 201
III.5. Tragic Wives: Medea's Divided Self 243
III.6. Tragic Mothers: Maternal Persuasion in Euripides 272
IV Anodos Dramas: Euripides' Alcestis and Helen 301
Conclusion 333
Bibliography 339
General Index 369
Index Locurum 387
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Add Female Acts in Greek Tragedy, Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right. Scholars have , Female Acts in Greek Tragedy to the inventory that you are selling on WonderClubX
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Add Female Acts in Greek Tragedy, Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right. Scholars have , Female Acts in Greek Tragedy to your collection on WonderClub |