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Book Categories |
| I | Introduction: Mixing It | 1 |
| II | Breaking the Consensus on British Cinema | 10 |
| III | Changing Places: Costume and Identity | 41 |
| IV | The Lure of the Past: Reinventing History | 64 |
| V | European Adventures: Gainsborough Studios | 80 |
| Appendix | 116 | |
| Bibliography of Works Cited | 122 | |
| Films Cited | 127 | |
| Elizabeth Haffenden Biofilmography | 129 | |
| Index | 137 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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Add Fashioning the Nation: Costume and Identity in British Cinema, When Christian Dior launched his New Look in 1947, Gainsborough Studios had already begun to refashion British sexuality. Elizabeth Haffenden's designs for the period costume romances produced by the studio between 1943 and 1950 projected a vision of femi, Fashioning the Nation: Costume and Identity in British Cinema to the inventory that you are selling on WonderClubX
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Add Fashioning the Nation: Costume and Identity in British Cinema, When Christian Dior launched his New Look in 1947, Gainsborough Studios had already begun to refashion British sexuality. Elizabeth Haffenden's designs for the period costume romances produced by the studio between 1943 and 1950 projected a vision of femi, Fashioning the Nation: Costume and Identity in British Cinema to your collection on WonderClub |