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Acknowledgements
• Introduction
• Critical Contexts
• A Shop of Images and Signs -- Caroline Evans
• Fashioning Fiction in Photography Since 1990 -- Susan Kismaric and Eva Respini
• The Celebration of the Fashion Image – Photograph as Market Commodity and Research Tool -- Philippe Garner
• The Fashion Photograph: An ‘Ecology’ -- Margaret Maynard
• Lee Miller’s Simultaneity -- Becky Conekin
• Processes and Politics
• Interview with Rankin -- Eugénie Shinkle & Roger Hargreaves
• TBC -- Sascha Behrendt
• Interview with Penny Martin -- Eugénie Shinkle
• Image and Identity
• Stardom and Fashion: on the Representation of Female Movie Stars and their Fashion(able) Image in Magazines and Advertising Campaigns -- Barbel Sill
• Developing Images: Race, Language, and Perception in Fashion Model Casting -- Stephanie Neda Sadre-Orafai
• Sex, Sameness and Desire: Thoughts on Versace and the Clone -- Isabelle Wallace
• Beyond Perfection: The Fashion Model in the Age of Digital Manipulation -- Karen de Perthuis
• Reassessing the Real
• Fashioning the Street: Images of the Street in the Fashion Media --Agnes Rocamora and Alistair O’Neill
• The Elegance of The Everyday: Nobodies in Contemporary Fashion Photography -- Kate Rhodes *The Line Between the Wall and the Floor: Reality and Affect in Contemporary Fashion Photography -- Eugénie Shinkle
• Notes on Contributors
• References and Bibliographies
• Index *
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Michael Holden
reviewed Fashion As Photograph: Viewing and Reviewing Images of Fashion on February 18, 2017
Fashion As Photograph: Viewing and Reviewing Images of Fashion
P.4 - I hope to present an introductory guide to the cultural significance of fashion, from its emergence in the mid-fourteenth century to its final explosion in the mid-twentieth century that locates itself within these broader historical debates. In terms of method, each chapter incorporates a chronological narrative of changing form, using the analytical approaches pioneered by traditional art historical fashion history. This narrative is then both problematized and substantiated by an engagement with critical debates drawn mainly form recent cultural histories, but also including comment from economic, design, and art history and literary theory.
p.5 - As the main purpose of the book is to broaden the parameters of fashion history by engaging with other disciplines, the text uses direct quotations as a way of exposing the student to the possibilities and uses of a wide variety of historical discourses.
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