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Acknowledgments | ||
Abbreviations | ||
Introduction | ||
1 | The Frontiers of Criticism and the Circumscription of Ol' Ez | |
2 | "A Profounder Didacticism": Ruskin, Orage, and Pound's Vision of Cultural Totality | |
3 | Epic Inclusiveness and the Innovations of Eleven New Cantos | |
4 | Popularizing Primers and the Discourse of Culture | |
5 | Unpacking Munch's Satchel: Musical Notation and the Defiance of Pisan Cantos | |
6 | "These are the Histories, OR": Narrative in the Benton Cantos of Section: Rock-Drill | |
7 | "Nummulary Moving Toward Prosody": The Del Mar Cantos of Thrones | |
8 | E Basta | |
Index |
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Add Ezra Pound, popular genres, and the discourse of culture, In 1917, having begun the long poem that would prove his life's work, Ezra Pound affirmed that the ultimate goal of scholarship is popularization. Few scholars subsequently have noticed this aim without finding it merely ironic or dismissing it as an ea, Ezra Pound, popular genres, and the discourse of culture to the inventory that you are selling on WonderClubX
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Add Ezra Pound, popular genres, and the discourse of culture, In 1917, having begun the long poem that would prove his life's work, Ezra Pound affirmed that the ultimate goal of scholarship is popularization. Few scholars subsequently have noticed this aim without finding it merely ironic or dismissing it as an ea, Ezra Pound, popular genres, and the discourse of culture to your collection on WonderClub |