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| Acknowledgments | ||
| Introduction: What Is This Book About? | 3 | |
| Four Predicaments | ||
| The Decline of a Soviet Repertoire | 7 | |
| The Absence of Ideology | 37 | |
| Performers' Untutored Upbringing | 64 | |
| Directorial Work on the Stage and on the Road | 89 | |
| Evidence of Two Solutions | ||
| Audio: The Sound of Music and Mutation | 115 | |
| Video: Estrada on Film since Perestroika | 132 | |
| Russian Popular Culture After 1982: The Big Picture | ||
| "Why Am I Singing Now?" Grand Narratives and Their Hard-Working Survivors | 161 | |
| Conclusion: Only the Sentimental and Industrious Can Endure | 181 | |
| Biographies | 189 | |
| Audio-Visual Sources | 202 | |
| Notes | 211 | |
| Index | 251 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Sara Dornbrook
reviewed Estrada?!: Grand Narratives and the Philosophy of the Russian Popular Song since Perestroika on September 12, 2020
Estrada?!: Grand Narratives and the Philosophy of the Russian Popular Song since Perestroika
I was fascinated by the material that covers neurophysiology and psychology but disappointed by the many open questions, unproven theories and even mythical ideas discussed towards then end of the book.
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