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Book Categories |
Pura Bicultura: An Introduction | ||
El Diario De Miranda/Miranda's Diary | 3 | |
Pan-American Postnationalism: Another World Order | 21 | |
Passionate Irreverence: The Cultural Politics of Identity | 25 | |
The Other History of Intercultural Performance | 37 | |
Who's Doin' the Twist? Notes Toward a Politics of Appropriation | 65 | |
Andres Serrano Shoots the Klan: An Interview | 79 | |
Vernacular Memories: Pepon Osorio | 89 | |
Uncanny Dissonance: The Work of Lorna Simpson | 97 | |
Essential Differences: Photographs of Mexican Women | 103 | |
Rican/Structions: Juan Sanchez | 113 | |
Traces of Ana Mendieta: 1988-1993 | 121 | |
The American Blues of Catalina Parra | 127 | |
A Black Avant-Garde? Notes on Black Audio Film Collective and Sankofa | 133 | |
Bilingualism, Biculturalism, and Borders | 147 | |
Nationalism and Latinos, North and South: A Dialogue | 159 | |
Norte: Sur | 169 | |
Radio Pirata: Colon Go Home! | 179 | |
Endnotes | 197 | |
Permissions | 203 | |
Index | 205 |
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Add English Is Broken Here: Notes on Cultural Fusion in the Americas, When Coco Fusco and collaborator Guillermo Gomez-Pena toured the country in a cage as authentic natives, their provocative performance piece enraged some and enthralled others. Known for using performance to explore the boundaries of ethnicity in art, C, English Is Broken Here: Notes on Cultural Fusion in the Americas to the inventory that you are selling on WonderClubX
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Add English Is Broken Here: Notes on Cultural Fusion in the Americas, When Coco Fusco and collaborator Guillermo Gomez-Pena toured the country in a cage as authentic natives, their provocative performance piece enraged some and enthralled others. Known for using performance to explore the boundaries of ethnicity in art, C, English Is Broken Here: Notes on Cultural Fusion in the Americas to your collection on WonderClub |