English Ethnicity and Race in Early Modern Drama Book

Wonderful, wonderful, and still more wonderful!

This is, for my money, the most readable, approachable, intelligent introduction to Shakespeare studies that I've yet found. Each of the book's 45 chapters is written by a different scholar, and edited by Stanley Wells and Lena Cowen Orlin. Over the course of this 45 chapters, readers are given a detailed but comprehensive introduction to the headline topics. This includes Shakespeare's life from birth to death; the theatres and culture of his time; how plays were written, performed, and printed; Shakespeare's genres; close readings of several of the plays; performance practice through the ages; some of the main branches of Shakespearean criticism, ranging from post-colonial and feminist to new historicism; Shakespeare on film and in translation; and Shakespeare online. While the last of those categories is hopelessly outdated, the rest remains invaluable.

What the editors get right is that each chapter is written with a scholarly air, rather than presenting "Shakespeare for Dummies!". At the same time, I wish that some of my Penguin or Arden editions chose to include a few of these morsels. The plain-speaking explanation of the difference between iambs, trochees and spondees will be of much use to someone approaching Shakespeare with trepidation. Each chapter also includes a bibliography for suggested reading, which should be able to direct the keen reader to a wealth of knowledge.

Of course, at the end of the day, most chapters are roughly 10 pages long. This is an overview, and a ground-level one at that. But, after all, the joy of Shakespeare is in the discovery. I recommend this book to all - even if you're fairly well-read - as you'll find many avenues to explore in the future.