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Book Categories |
| 1 | Keith Emerson : early years and apprenticeship (1944-1970) | 1 |
| 2 | Greg Lake : early years and apprenticeship (1947-1970) | 51 |
| 3 | Carl Palmer : early years and apprenticeship (1950-1970) | 87 |
| 4 | From the beginning : the first show, first album, first tour (June-December 1970) | 105 |
| 5 | Mutant armadillo : the Tarkus saga (1971) | 141 |
| 6 | Pictures at an exhibition (1971) | 169 |
| 7 | Trilogy (1972) | 199 |
| 8 | Get me a ladder : Manticore record label; 1973 European tour (January 1972-May 1973) | 237 |
| 9 | Brain salad surgery (1973) | 269 |
| 10 | Welcome back my friends to the show that never ends ... (autumn 1973-autumn 1974) | 311 |
| 11 | Return of the kings : Works, volume I (1975-1977) | 351 |
| 12 | Works live : the show that ended (April 1977-March 1978) | 395 |
| 13 | Land's end on Love Beach (summer 1978-December 1979) | 417 |
| 14 | After the fall : first sabbatical (1980-1985) | 447 |
| 15 | Reformation, part I : Emerson, Lake and Powell, 3 (1985-1988) | 485 |
| 16 | Second sabbatical (1988-1991) | 515 |
| 17 | Reformation, part II : ELP again (1991-1993) | 525 |
| 18 | In the hot seat (summer 1993-December 1994) | 563 |
| 19 | The end (1995-1998) | 589 |
| 20 | After the end (December 1998-December 2003) | 625 |
| App. A | A critical discography | 655 |
| App. B | A critical videography | 717 |
| App. C | Recommend further listening : a critical guide | 723 |
| App. D | A complete list of live shows by Emerson, Lake and Palmer, Emerson, Lake and Powell, and 3; a statistical summary and analysis of ELP's tour patterns | 753 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Ian Borean
reviewed Endless Enigma: A Musical Biography of Emerson, Lake, and Palmer on January 17, 2014 Endless Enigma: A Musical Biography of Emerson, Lake, and Palmer
Tim Riley's Hard Rain: A Dylan Commentary is one of the sharpest books you'll ever read on Dylan's songs. Riley stresses the importance of humor of Dylan's work, as well as its often self-referential nature; even when he seems to be addressing lovers or enemies or anyone else, Dylan is probably also addressing himself. Riley loves Dylan's best work (largely from 1962-68 plus Blood on the Tracks (1975), but he doesn't try to apologize for the loads of inferior products Dylan has hashed out over the years, or Dylan's later shameful indifference to his fans and even his bands. Hard Rain is nearly as good as Riley's book of commentary on the Beatles (Tell My Why), but unlike in that book, Riley doesn't really cover every Dylan song, sometimes treating albums thematically and so giving some of the songs scant attention. Still Riley writes with uncanny accuracy about Dylan's songs.
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