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List of contributors | ||
Preface | ||
Introduction | 1 | |
1 | Daniel Berlyne and disinterested criticism: Inter- and intradisciplinary discourse | 14 |
Pt. I | Visual aesthetics | |
2 | But is it science? | 27 |
3 | The frame as a key to visual perception | 37 |
4 | Aesthetics and visual semiotics | 48 |
5 | The complementarity of art and design | 64 |
6 | From perception to production: A multilevel analysis of the aesthetic process | 83 |
7 | A science of vision for visual art | 100 |
8 | Sweetness and light: Psychological aesthetics and sentimental art | 118 |
9 | Psychobiography and visual creativity: Four patterns | 137 |
10 | Cognitive profiles of artists | 154 |
11 | Assessing knowledge in the visual arts | 171 |
Pt. II | Literary and other aesthetic processes | |
12 | The beginning of a new psychology: Vygotsky's psychology of art | 185 |
13 | Empirical aesthetics in the former USSR: Selected topics | 194 |
14 | The psychology of literature: A social-cognitive approach | 210 |
15 | Why literature is not enough; or, Literary studies as media studies | 227 |
16 | Uncovering the laws of literary history | 244 |
17 | Evolution of art and brain asymmetry: A review of empirical investigations | 255 |
Pt. III | Play | |
18 | A neurophysiological theory of play | 271 |
19 | Paradoxes of children's play in Vygotsky's theory | 286 |
20 | The personal component in playing interfaces | 300 |
Name index | 313 | |
Subject index | 320 |
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