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Preface | ||
Acknowledgments | ||
Introduction | 1 | |
Pt. 1 | Wharton and James | |
1 | The "Fictioning" of Henry James in Wharton's "The Hermit and the Wild Woman" and "Ogrin the Hermit" | 9 |
2 | The Give-and-Take between Edith Wharton and Henry James: "The Velvet Glove" and Edith Wharton | 20 |
3 | The Metamorphoses of Edith Wharton in Henry James's Finer Grain Stories | 33 |
4 | Jamesian Structures in The Age of Innocence and Related Stories | 58 |
5 | "Bad" Mothers and Daughters in the Fiction of Wharton and James | 75 |
6 | Wharton and James: Some Additional Literary Give-and-Take | 79 |
7 | Henry James's "Julia Bride": A Source for Chapter 9 in Edith Wharton's The Custom of the Country | 85 |
Pt. 2 | Wharton and Others | |
8 | Edith Wharton and Paul Bourget: Literary Exchanges | 93 |
9 | The Portrait of Edith in Bourget's "L'Indicatrice" | 99 |
10 | Madame de Treymes Corrects Bourget's Un Divorce | 104 |
11 | Two Novels of the "Relatively Poor": George Gissing's New Grub Street and The House of Mirth | 111 |
12 | Edith Wharton and F. Marton Crawford | 116 |
13 | Edith Wharton and Grace Aguilar: Mothers, Daughters, and Incest in the Late Novels of Edith Wharton | 124 |
14 | Edith Wharton, Ernest Hemmgway, and Vivienne de Watteville, Speak to the Earth | 134 |
15 | Hugh Walpole's All Souls' Night and Edith Wharton's "All Souls'" | 139 |
16 | Consuelo Vanderbilt, John Esquemeling, and The Buccaneers | 143 |
Pt. 3 | Wharton's Uses of Art | |
17 | False Dawn and the Irony of Taste Changes in Art | 155 |
18 | Correggio and Rossetti in The Buccaneers: Tradition and Revolution in the Patterns of Love | 162 |
19 | Tiepolo's Ceiling in the Church of the Scalzi and The Glimpses of the Moon: The Importance of Home | 170 |
Pt. 4 | Literary Lives of Wharton | |
20 | A Poet's Version of Edith Wharton: Richard Howard's The Lesson of the Master | 185 |
21 | Louis Auchincloss Deconstructs the Biography of Edith Wharton: From Invented Ediths to Her Real Self: Justice to Teddy Wharton in "The Arbiter" | 192 |
22 | The Punishment of Morton Fullerton in "The 'Fulfillment' of Grace Eliot" | 199 |
23 | Morton Fullerton's View of the Affair in "They That Have Power to Hurt" | 210 |
24 | The "Real" Mrs. Wharton in The Education of Oscar Fairfax | 218 |
25 | Edith Wharton as Herself in Carol DeChellis Hill's Henry James's Midnight Song | 222 |
26 | Cathleen Schine's The Love Letter | 225 |
Pt. 5 | The Legacy of Wharton's Fiction: Three Rewritings | |
27 | Louis Auchincloss Reinvents Edith Wharton's "After Holbein" | 229 |
28 | Daniel Magida's The Rules of Seduction and The Age of Innocence | 233 |
29 | Lev Raphael's The Edith Wharton Murders | 238 |
App | A Book and Four Friends: Henry James, Walter Berry, Edith Wharton, and W. Morton Fullerton | 241 |
Index | 251 |
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Add Edith Wharton in context, These new and classic essays, researched and written over a 25-year period, are driven and enriched by the enthusiasm, curiosity, and passion of a scholar still making discoveries about a subject of lifelong fascination.Essays at the center of the co, Edith Wharton in context to the inventory that you are selling on WonderClubX
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Add Edith Wharton in context, These new and classic essays, researched and written over a 25-year period, are driven and enriched by the enthusiasm, curiosity, and passion of a scholar still making discoveries about a subject of lifelong fascination.Essays at the center of the co, Edith Wharton in context to your collection on WonderClub |