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Acknowledgments | ||
Introduction | 1 | |
1 | Boys and Men as Shakespearean Women | 3 |
2 | Women as Shakespeare's Heroes | 9 |
3 | Actresses in Breeches Roles | 17 |
4 | The British Tradition of the Pantomime Dame | 28 |
5 | Principal Boys and Male Impersonators | 40 |
6 | The Prima Donnas of Minstrelsy | 55 |
7 | Vaudeville and the New York Stage | 69 |
8 | Julian Eltinge | 95 |
9 | Barbette | 116 |
10 | Circus Acts | 123 |
11 | Men as Women in World Theatre and Ballet | 129 |
12 | Drag in the Clubs | 153 |
13 | Impersonators of the Great Female Stars | 171 |
14 | Women as Men in the Cinema | 194 |
15 | Comic Female Impersonation, and Further Gender-Bending | 208 |
Bibliography | 259 | |
Index | 267 |
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Add Drag! Male and Female Impersonators on Stage, Screen and Television: An Illustrated World Hi..., Since ancient times, men and boys have impersonated women on stage. The impersonation of men by women was less common until the mid–1600s, when they began to make appearances in Shakespearean roles. Charlotte Cushman was known throughout England as the be, Drag! Male and Female Impersonators on Stage, Screen and Television: An Illustrated World Hi... to the inventory that you are selling on WonderClubX
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Add Drag! Male and Female Impersonators on Stage, Screen and Television: An Illustrated World Hi..., Since ancient times, men and boys have impersonated women on stage. The impersonation of men by women was less common until the mid–1600s, when they began to make appearances in Shakespearean roles. Charlotte Cushman was known throughout England as the be, Drag! Male and Female Impersonators on Stage, Screen and Television: An Illustrated World Hi... to your collection on WonderClub |