Sold Out
Book Categories |
Acknowledgments | ||
Introduction: Disintegrating the Musical | 1 | |
Ch. 1 | Wearing and Tearing the Mask: Blacks on and in Blackface, Live | 29 |
Ch. 2 | "Fool Acts": Cinematic Conjunctions of White Blackface and Black Performance | 49 |
Ch. 3 | Indefinite Talk: Blacks in Blackface, Filmed | 92 |
Ch. 4 | Black Folk Sold: Hollywood's Black-Cast Musicals | 123 |
Ch. 5 | "Aping" Hollywood: Deformation and Mastery in The Duke is Tops and Swing! | 169 |
Ch. 6 | Jammin' the Blues: The Sight of Jazz, 1944 | 195 |
Coda: Bamboozled? | 231 | |
Notes | 249 | |
Bibliography | 301 | |
Index | 327 |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish ListX
This item is in your CollectionDisintegrating the Musical: Black Performance and American Musical Film
X
This Item is in Your InventoryDisintegrating the Musical: Black Performance and American Musical Film
X
You must be logged in to review the productsX
X
X
Add Disintegrating the Musical: Black Performance and American Musical Film, From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and white, Disintegrating the Musical: Black Performance and American Musical Film to the inventory that you are selling on WonderClubX
X
Add Disintegrating the Musical: Black Performance and American Musical Film, From the earliest sound films to the present, American cinema has represented African Americans as decidedly musical. Disintegrating the Musical tracks and analyzes this history of musical representations of African Americans, from blacks and white, Disintegrating the Musical: Black Performance and American Musical Film to your collection on WonderClub |